DX Clav Virtual Instrument (BETA Release)
Download Coming Soon!
The DX Clav virtual instrument combines the DX Chorus sound from the Yamaha MU100R sound module with the Clavinova sound from the Yamaha CVP85A digital piano. Samples of the Yamaha MU100R sound module and CVP85A digital piano were recorded and span all 88 keys. Through the interface, you can change the sound envelope, EQ, filter, and surround settings independently, adding additional effects and allowing a vast combination of sound editing and layering. In addition, the reverb controls found on the main interface add a velvet-like sound to the instruments. Layer the DX Clav instrument over a concert grand piano, and you have an amazing pad grand piano like no other!
Both the DX and Clav sound samples have idependant adjustments Attack-Decay-Sustain-Release (ADSR) envelope.

Curve (Delay) - the amount of time between the note-on event and the start of the attack segment. Delaying the appearance of sound after a key-press is especially important in ambient music, where the musician can use this time to adjust the timbre parameters. We can control the length of this delay.

Attack - the initial portion of every envelope after a note-on event. In this segment the value is rising from the minimum envelope value to the maximum envelope value. When we “control the attack” we change the duration of this segment.

Hold - A segment where the envelope value is at its maximum; by controlling its length, we adjust how long will the controlled parameter be at its peak value.

Decay - The segment where the envelope falls from the peak value to the initial sustain value. We can control its length.

Sustain - The segment where the envelope maintains a constant level until a note-off event. We set the value of this level but its length is controlled by the performer.

Release - The final segment of any envelope, where the value falls from its current value to 0.

Need more low frequency? Or is the mid frequncy to high? You can access the EQ settings of each instrument to adjust the low, low-mid, high-mid, and high frequency of each sound.